BEGIN:VCALENDAR VERSION:2.0 PRODID:< http://www.open2c.de/ > METHOD:PUBLISH X-PUBLISHED-TTL:PT12H BEGIN:VTIMEZONE TZID:Europe/Berlin TZURL:http://tzurl.org/zoneinfo-outlook/Europe/Berlin X-LIC-LOCATION:Europe/Berlin CALSCALE:GREGORIAN BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT CREATED:20170209T225956 LAST-MODIFIED:20170209T230121 ORGANIZER:MAILTO:Umberto Vattani\nIsola di San Servolo\nIT–30133 Venice DTSTAMP:20260411T232655Z DTSTART;TZID=Europe/Berlin:20171031T000000 DTEND;TZID=Europe/Berlin:20171101T000000 CATEGORIES:Konferenz/Kongress/Tagung URL:http://ontheimage.com/2017-conference SUMMARY:8th International Conference on The Image DESCRIPTION:Kontakt Umberto Vattani Isola di San Servolo IT–30133 Venice LOCATION:Venedig UID:8a322c065fcbe6fcb95ccf144abda964@054d0aeb2671403f8b4299b6eb2e8455 END:VEVENT BEGIN:VTIMEZONE TZID:Europe/Berlin TZURL:http://tzurl.org/zoneinfo-outlook/Europe/Berlin X-LIC-LOCATION:Europe/Berlin CALSCALE:GREGORIAN BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT CREATED:20170810T235129 LAST-MODIFIED:20170911T165305 ORGANIZER:MAILTO:Lars Grabbe DTSTAMP:20260411T232655Z DTSTART;TZID=Europe/Berlin:20171105T000000 DTEND;TZID=Europe/Berlin:20180527T000000 CATEGORIES:Call for Papers URL:http://filmbildtheorie.de/?page_id=1413 SUMMARY:Image Evolution. Technological Transformations of Visual Media Culture DESCRIPTION:The double-blind peer-reviewed Yearbook of Moving Image Studies (YoMIS) is now accepting abstracts from scientists\, scholars\, artists\, fi lm makers\, game designers or developers for the fourth issue entitled »Im age Evolution. Technological Transformations of Visual Media Culture«. Yo MIS will be enriched by disciplines like media and film studies\, image sci ence\, (film)philosophy\, phenomenology\, semiotics\, design and fine arts\, ar t and media history\, game studies and other research areas related to stat ic\, moving and digital images in general. The history of images can be des cribed as a history of technology and mediality\, because material transfor mations have always had a great impact on form\, structure or content of me diatized and often multimodal representations. It took many years from the origin of images in the caves of our prehistoric ancestors to the interac tive\, arithmetic and highly immersive images of the digital age. This deve lopment always seemed to be deeply rooted in the potentials of media techn ologies and the numerous human inventions in the range of traditional craf tsmanship\, engineering science\, computer science\, and art and design. This perspective is the beginning of an autonomous media theory\, whether if it starts with leading thinkers like Walter Benjamin or Marshal McLuhan. Now adays\, these academic discourses would surely work with more profound and more detailed analytical tools and concepts. But also a modern media theo ry that analyzes describes and characterizes technological transformations surely receives new insights. The factual embedding of images in the hist orical-technological processes constitutes a complex structure of an auton omous »Image Evolution« that must be highlighted\, characterized and anal yzed by the interdisciplinary academic discourses that are related to the functions and structures of visuality\, pictoriality and forms of multi-sen soric representations. The chosen term »Evolution« is deliberately indi cating structural laws that underlie historical events. These laws are not teleological or ontological driven\, but more intentional and logical proc esses of an historical and technological interdependency. In this interdep endency\, the technology is evolving out of its inherent structures and add itionally embedded in anthropological conditions and sociocultural dynamic s. In this context\, we should work with the concept of an »Image Evolutio n«.The editors of YoMIS would like to understand images as visual\, and fu rther multi-sensoric\, artifacts that are historically and technologically embedded within the ‘developments’ and ‘relations’ of materiality\, mediality and reception. Beside the integration of this different aspects the issue is also expanding the time frame of the research topic: The dev elopment of mediality is not only a project for media historiographies in the context of a media archaeology\, but also connected with the logic of r ecent developments in the context of prototypes\, future ideas and innovati ons. Topics of submissions should focus on (but are not necessarily limit ed to) the materiality and technology of images and media\, the academic ap proaches on the history and logic of image evolution and media development s\, the processes of creating or programming digital images\, and the materi al and technological effects on the reception of dynamic representations\, the multi-sensoriality of static\, moving and digital images\, which goes be yond pure visuality\, and a specific focus on the historical\, cultural and transformational impact of prototypes\, prototype research and future innov ations. The official deadline for abstracts is November 5\, 2017. Abstra cts should be 800 to 1.000 words in length (not less). Please send a short biography\, contact details and your abstract to Prof. Dr. Lars C. Grabbe\, Prof. Dr. Patrick Rupert-Kruse and Prof. Dr. Norbert M. Schmitz via: kont akt@bewegtbildwissenschaft.de. The official deadline for articles is Ma y 27\, 2018. Articles should be 5.000 to 8.000 words in length. If you are interested in contributing an abstract and article\, please contact the man aging editors via e-mail. Kontakt Lars Grabbe UID:84807e4c6be88e363421c706f3f9a118@054d0aeb2671403f8b4299b6eb2e8455 END:VEVENT BEGIN:VTIMEZONE TZID:Europe/Berlin TZURL:http://tzurl.org/zoneinfo-outlook/Europe/Berlin X-LIC-LOCATION:Europe/Berlin CALSCALE:GREGORIAN BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT CREATED:20170911T163107 LAST-MODIFIED:20170911T163413 ORGANIZER:MAILTO:Ellen Fricke DTSTAMP:20260411T232655Z DTSTART;TZID=Europe/Berlin:20171117T000000 DTEND;TZID=Europe/Berlin:20180304T000000 CATEGORIES:Ausstellung\, Lesung\, Performance o.ä. URL:www.gesten-im-museum.de SUMMARY:Ausstellung "Gesten – gestern\, heute\, übermorgen" DESCRIPTION:Die Sonderausstellung „Gesten – gestern\, heute\, übermorgen “ findet vom 17. November 2017 bis zum 4. März 2018 im Sächsischen Ind ustriemuseum Chemnitz statt. Sie untersucht den Zusammenhang zwischen der menschlichen Gestik\, dem Wandel der industriellen Produktion und unserer I nteraktion mit Maschinen in Vergangenheit und Zukunft. Die Ausstellung ver mittelt also komplexe semiotische Zusammenhänge mit hoher und auch aktuel ler gesellschaftlicher Relevanz an ein breites nicht-akademisches Publikum . Kontakt Ellen Fricke LOCATION:Chemnitz UID:338b97f0b1a0ca090128b0a0f1872405@054d0aeb2671403f8b4299b6eb2e8455 END:VEVENT END:VCALENDAR